
Here's part 4 to the Dr. T's KCS Docs ....... Check out Doc Disk 20 for the
first three parts.
 
                            Chapter 14
                            ~~~~~~~~~~
                          TROUBLESHOOTING
                          ~~~~~~~~~~~~~~~
While  MIDI  is  one  of  the  most  successful  and consistent interfacing
standards in the computer industry, it is still possible that certain types
of  equipment won't work well together.  Many times, what might seem like a
perfectly  reasonable  configuration won't give the expected results.  This
could  be  because you are trying to use a feature which is not implemented
on  a  particular  machine,  or because you haven't initialized your synths
correctly, or for many other reasons.

When you get into a situation like this, a MIDI data display program can be
very helpful.  You can then determine if a piece of equipment is doing what
it  is  supposed  to  do, or if the problem lies elsewhere.  A MIDI display
program  for  the Commodore 64 was published in the September 1986 issue of
Electronic  Musician,  and instructions for adapting this program to the ST
appeared in the June 1987 issue.  We're sorry, but Dr.  T's can only answer
directions  directly  regarding  the  operation  of  our  software, and not
questions  regarding the idiosyncrasies of a particular piece of equipment.
See Appendix 1 for further information on customer support.

There  are  two  general  approaches that are useful when troubleshooting a
complex  system.   you  can attempt to isolate the source of the trouble by
changing one aspect of the system at a time, or you can simplify the system
by  using  fewer  pieces  of equipment or program features.  You should try
both  approaches when confronted with a problem in the use of the software.
Don't  forget  the  Doctor's  prescription  for dealing with MIDI technical
problems,  REXMAN  (Relax, EXperiment, and read your owner's MANuals).  The
remainder of this chapter outlines solutions to various common problems.

Program Gives Errors on Loading
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Does  the  computer load other programs?  If so, you might have a bad disk.
In  this  case, contact Dr.  T's to arrange for a replacement disk.  DO NOT
send  back your disk without contacting Dr.  T's for a return authorization
number.   Returned  products  which  do  not  display  such a number on the
outside of the package will be returned to the sender.  And remember, NEVER
save your data files on your KCS program disk!

Program Gives Errors While Running
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
If you booted your Atari ST from a system disk containing disk accessories,
try re-booting from the KCS program disk.

If  you  are  using  an  Amiga, it is possible that some other programs may
cause  problems  when  run  concurrently with the KCS.  Try eliminating all
other  programs from the Amiga's memory, or re-booting from the KCS program
disk.   We  are  interested in hearing about any problems you may have when
multi-tasking  the  KCS  with  another  company's  product,  but  we cannot
guarantee that we will be able to solve the problem.

Computer Appears to be Dead
~~~~~~~~~~~~~~~~~~~~~~~~~~~
Adjust  your  monitor settings and check for a loose monitor cable.  is the
disk drive on and is the drive cable OK?  Is the mouse properly inserted in
the  correct  jack?   Try  turning the computer's power off for at least 15
seconds,  then  re-boot.  This forces the computer to completely clear it's
memory.

Instruments Do Not Respond
~~~~~~~~~~~~~~~~~~~~~~~~~~
First  check  to see that all your MIDI cables are connected properly, that
data  reception is enabled on each instrument, and that the correct channel
assignments are being used.

If  nothing plays at all, the program might be set to sync to a nonexistent
external clock.  check the clock source on the SET OPTIONS page.

The  program  may  have crashed.  Save your files (if possible), remove the
disk, power down or reset the computer, and then run the program again.

If a sequence or track that you've just finished recording won't play back,
use  the  edit  screen to confirm that you have acutally recorded data, and
that  it's  on  the right channel.  Check your master synth, as well as the
ECHO and FILTER settings on the SET OPTIONS screen if not.

Continuous Controllers are Recorded Incorrectly
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Occasionally,  a  long  string  of  continuous controller messages, such as
pitch  bend or the modulation wheel, may be recorded as a string of program
changes  or  other incorrect message types.  This happens if the instrument
used for recording employs running status, and recording is turned on after
the  start  of  the controller motion.  When running status is used, a MIDI
status byte is sent only at the start of the controller motion, rather than
with each individual message, and if recording is enabled after this single
status byte is sent, the KCS (or any MIDI devide, for that matter) will not
interpret the subsequent data correctly.  If this happens, simply re-record
the  controller  data, but play a single note before moving the controller.
This  ensures  that  a  status  byte  will  be sent at the beginning of the
controller  motion,  and the note can be easily removed on the edit screen.
Note  that  changing the RUNNING STATUS switch on the SET OPTIONS screen of
the KCS will not help with this problem.

Some Instruments Don't Respond Correctly All the Time
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Some  instruments  can't  respond to MIDI information at the full specified
MIDI  rate.   This  is especially true for some DX7's.  The symptom is that
the  instrument  appears  to be missing notes.  Sometimes changing programs
will  fix the problem; a more drastic action is to re-power the instrument.
Use  the  MIDI  SLOW  function in the SET OPTIONS section of the program to
slow  down the MIDI transmission rate.  Use the lowest value which provides
acceptable  results.   MIDIed  Drumulators  are  also  susceptible  to this
problem.

Sequencer Plays Back, but Notes are Garbled
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Using  nonstandard MIDI cables on the Atari ST's MIDI output can cause this
problem, especially if you're playing an instrument that's connected to the
computer's  MIDI  in at the same time.  Check your cables to make sure that
pins  1 and 3 are not shorted to pins 4 and 5.  Some synthesizers also have
these pins shorted together at their MIDI inputs, which will cause problems
if you are using a 5 conductor MIDI cable, though three conductor cables do
not exhibit this problem.

Are  notes  overlapping  improperly?   If an instrument is in mono mode and
notes  overlap,  the  instrument  may  not  retrigger its envelopes.  If an
instrument is in poly mode and notes of the same pitch overlap, undesirable
results might occur.  If a note ends and a new note begins in the same time
step, the new note will start before the old one ends, causing an overlap.

Sending  program  changes  too  close to a note on or off message can cause
missing  or  stuck notes on some synths.  Try moving any program changes in
the area of the affected notes.

Synthesizers Spit Out Notes at High Speed
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
If  you  loop  an Open mode sequence that contains one or more MIDI events,
all  with times of zero, the program will send these MIDI events as fast as
it can, causing your synthesizer to sound as if it's going haywire.  If you
loop  a  control sequence of length zero, and the control sequence does not
have  a  WAIT  programmed,  that  sequence  will keep restarting all of the
sequences  it  is  controlling,  and  they  will keep replaying their first
notes.   Don't  loop any sequence whose times are all zero, unless it has a
WAIT  programmed  and  a DE event at the end.  A MIDI loop condition, where
the  computer's  MIDI  out is fed back to its own MIDI in through a merger,
can also cause this to occur.

Instrument Sends Data, but Doesn't Receive
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
The  instrument  may  not  be set to receive on the MIDI channel that it is
sending  on.   Are  your MIDI cables good?  Some sync cables look like MIDI
cables,  but  won't  work  properly  for MIDI.  Check that the synth's MIDI
receive  channel  is the same as its send channel, and that ECHO and FILTER
are set properly.

MIDI Controllers Are Not Recorded
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Have  you set the KCS to record controllers?  Does this instrument send and
receive  the controllers you're using?  Some early MIDI synths, such as the
Roland  Jupiter  6, won't send control changes over MIDI.  Others, like the
Prophet  600,  must have controllers enabled from the front panel each time
the synth is turned on.  Early DX7's sent aftertouch as controller 3.

Sequencer and Drum Machine Go Out of Sync When Looping
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
This  can occur if the length of the sequence in Open mode or of track 1 in
Track  mode is not a multiple of the length of the drum box pattern.  Check
to  make sure that the sequence ends on the first step of a measure, rather
than step 96 or some other nearby value.

If  you do not use the ALIGN feature while recording you will almost always
end  the  recording  process a little before or after the end of a measure.
On  playback  each  loop  will  put the sequence further out of sync.  When
using  ALIGN,  you  must press the F10 key DURING the last measure that you
wish  to  record.   Pressing F10 a fraction of a beat into the next measure
will  force  the  program to continue recording for another entire measure,
even  if  you  do  not  play  any  notes.   Clicking on STOP or pressing F1
immediately stops recording and defeats the ALIGN feature.

If  a  drum box is synced to the program via MIDI, it may lose timing clock
information  if  too  much  MIDI  information  is being sent.  As the piece
progresses  the  drum  machine  will go further out of sync.  Does the drum
keep  sync  when  only  playing a few sequences?  Does it play better if no
sequences  with  PB, AT or CC events are running?  Select RUNNING STATUS on
the  SET  OPTIONS  screen  may help.  Other ways around this are to use the
drum  machine  as  the master, or to have the KCS play the drums instead of
sending time to the drum machine to play its own patterns.

Synths Not Accepting Program Changes
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Some synthesizers, for example Sequential's instruments, power up in a mode
in  which  they  do  not accept program changes via MIDI.  Your synthesizer
manual  should  contain  instructions  on  how  to make them accept program
changes.   Many instruments only accept a limited range of program numbers,
and reject all others.

A Programmed Wait Does Not Occur
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Sequences which call other sequences and use the WAIT feature should have a
DE  event  with  a time of zero for the last event.  If you do not do this,
you  will  encounter  problems  when  you try to chain this sequence into a
higher level control sequence.

Noticeable Time Delays Occur When Sequences Start or Loop
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
The  computer  is  a  powerful,  but  finite  tool.  If you attempt to play
several  sequences  simultaneously,  which in turn each play a lot of notes
simultaneously,  the  computer  may  lag.   If  this occurs, rearrange your
sequence  structure  to reduce the amount of work the computer has to do in
one  time  step.  Edit the timing so that not as many sequence start events
occur at the same time.

Most instruments will react strangely if you try to send a patch change and
play  a  note in the same time step.  See the note on program changes under
Sequencer Plays Back, But Notes Are Garbled.

Synthesizer Not Functioning in Multi-Timbral Mode
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Some  multi-timbral  synthesizers (the Sixtrak and the CZ-101, for example)
power up in poly mode.  To use the multi-timbral feature, you must set them
to  mono  mode,  either through MIDI (see the MIDI chapter) or by following
the  instructions in your owner's manual.  The Sixtrak will always transmit
on  its basic channel, so you may need to use Local Control Off and ECHO to
record  in  real  time.   you  will  have  to use the edit screen to insert
program  changes  for  each channel recorded, as selecting a program on the
Sixtrak affects all six voices.

If a synth appears to be responding sluggishly in multi-timbral mode (short
staccato notes are lost or one note may have a rough attack), try using the
MIDI SLOW option on the SET OPTIONS screen.

                           Chapter 15
                           ~~~~~~~~~~
                        APPLICATION NOTES
                        ~~~~~~~~~~~~~~~~~
This  Chapter  contains  tips  for making better use of certain instruments
with  the  Keyboard Controlled Sequencer.  Since new equipment continues to
be  released  at  an increasing rate, it is not possible to make a complete
listing  of  products  that  will  work with the program.  Many instruments
share  design  features, so the following information may be useful even if
you do not own the instruments discussed.

Casio CZ Series
~~~~~~~~~~~~~~~
The   Casio  CZ-101  is  a  programmable  eight  voice  polyphonic  digital
instrument.   It  can hold 32 programs (16 of these are presets and may not
be changed) or 48 programs if you buy the optional RAM cartridge.  Dr.  T's
also  has available a patch librarian/editor for the CZ, and RAM cartridges
pre-loaded with 64 of our favorite sounds.

The CZ-101 is very useful with the KCS because it can also function as four
mono  synths.   It  may  be  programmed  to  work on any four adjacent MIDI
channels,  with  each  channel  playing a different sound.  One drawback is
that there is only one output jack for the four different sounds.  You will
have to change DCA envelope levels to balance the relative volumes.

There  is  no  MIDI  thru  on  the  CZ  synthesizers, so you'll need a MIDI
junction  box  or else patch the CZ at the end of the MIDI chain.  The CZ's
are  not  sensitive  to velocity but respond well to variations in duration
because of their three 8 stage envelope generators.  you can put the CZ-101
in  mono  multi-timbral mode by pressing the SOLO button.  You can then use
the MIDI, cursor right, and up arrow buttons to select programs, or you can
select  programs from the sequencer.  Note in the multi-timbral mode the CZ
may  not  always  react  predictably.   Notes may ge chopped or missed.  If
doing  serious  recording,  you may wish to use a syncing device and record
each  Casio part in normal rather than in mono mode.  This will also depend
on  what  patches you are using and the value of the notes it is receiving.
Casio  has an "overlap" in its program calling.  A program on the Casio can
be specified with either of two numbers when selected from the sequencer.

KCS PG Value               	CZ Program
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
0 - 15 					Presets 1 - 16
16 - 31 					Presets 1 - 16  
32 - 47 					Internal 1 - 16
48 -	63 					Internal 1 - 16
64 - 79 					Cartridge 1 - 16
80 - 95 					Cartridge 1 - 16

The  CZ's  have  one MIDI controller conflict with other instruments.  MIDI
controller  6, which is assigned to the data slider on most instruments, is
used  for  a  tune  control  on  the CZ's, which can cause problems if data
slider information is accidentally sent to a CZ.  Another quirk of the CZ's
is  that  in Mono mode, pitch bend is only received on one channe - and not
the  basic  channel,  as you'd expect, but the most recently selected voice
channel, which is shown beside the letters VO in the Casio's MIDI display.

Korg  EX-800, Poly-800 and DW-6000
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
The  Poly-800  and  EX-800  are  similar,  with  the  newer  EX-800 being a
keyboardless  version  of  the  Poly-8OO  with  a  few more features.  Both
machines  send  on  channel  1 and may be set to receive on any channel and
both  may  select an external MIDI clock to drive their own sequencer along
with the KCS.  The Poly 800 sends its sequence data on channel 2.

The  DW-6OOO is a 6 voice synth with 64 programmable memories.  It features
a  digital  waveform  generator  system.  The DW-6000 will send and receive
note  data,  program  change,  pitch  bend, OSC mod, VCF mod, damper pedal,
podamento switch and system exclusive messages.

Korg  instruments  use  a modifed octal numbering system to arrange patches
into "banks", as described in the MIDI chapter.

These Korg instruments neither send or receive velocity but they do respond
to  MIDI volume information.  Standard MIDI controller assignments are used
except  for  mod  wheel and breath control (controllers 1 and 2), which are
used for joystack up and joystick down on the Korgs.

MIDI Clock and Merge Boxes
~~~~~~~~~~~~~~~~~~~~~~~~~~
The  MIDI  interfaces  used  by  the Amiga and ST do not provide any inputs
other  than  MIDI  in.   If you want to sync to tape or to an external drum
machine,  you  need  a device that provides MIDI clock to the computer.  If
you  want  to be able to use the real time record features of the KCS while
syncing  to  tape, you need a device that can combine the MIDI clock signal
from  your drum machine or sync box with the MIDI output of your keyboards.
The  Yamaha  KX76 and KX88 keyboards do this automatically, and some others
may  as well.  Harmony Systems, JL Cooper and others make MIDI merge boxex,
which  merge  two  MIDI  inputs  into a single MIDI output.  Yamaha makes a
device  which  does  MIDI  merge and provides several additional continuous
controllers.   Any  of  these  will allow you to merge MIDI clock with MIDI
keyboard  data,  and newer models will simultaneously generate a MIDI clock
and merge it with data from one or more MIDI instruments.

MIDI Junction or Thru Boxes and MIDI Switcher Boxes
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Many companies manufacture MIDI thru boxes.  They consist of one MIDI input
and  several  MIDI  outputs, and are useful if you have several instruments
with  no  MIDI thrus.  Kamlet, 360 Systems, JL Cooper, and others make MIDI
switcher  boxes.   These  are more elaborate boxes that allow you to choose
among  several MIDI inputs for each of 8 or 10 MIDI devices.  We find these
invaluable in our setups.

Ensoniq Mirage 
~~~~~~~~~~~~~~
The  Mirage  samplwr  responds  to  vwlocity changes particularly well with
velocity  controlled ADSR's velocity sensitive oscillator mix, and keyboard
scaled  decay.   You  may  have several samples spread across the keyboard,
giving  the  impression  that  it is several instruments (although there is
only  one  audio  output).   You  can  balance  the volunle between the two
keyboard sides.  The instrument powers up in omni mode.

The  Mirage  Operating System Version 3 update adds a lot more MIDI control
to  the instrument which the KCS can address using CC events or single byte
messages.   Among  the  performance  enhancements  are  aftertouch,  breath
controller, and Local Control Off.  The Mirage can also be made to initiate
a  disk  load by sending it an appropriate program change command; see your
Mirage manual for details.

Ensoniq  ESQ1  
~~~~~~~~~~~~~
The  ESQl  is  a very powerful eight voice multi-timbral synthesizer, which
can receive on up to nine channels simultaneously when the instrument is in
multi  mode.   Channel  assignments  are  controlled by the ESQ1's internal
sequencer.   Since  each sequence on the iESQ1 can be selected from MIDI by
sending an appropriate song select command, it is possible to re-assign the
channel that the ESQ receives on from one instant to the next.

Since  voices  are  assigned  to  channel  on  an  "as needed" basis, it is
possible  to  play  up  to  eight voices on any of the nine channels at one
time,  without  worring about which channel has how many voices assigned to
it.  The keyboard sends release velocity through MIDI, though the ESQ won't
recognize  this information.  It is also possible to push any button on the
ESQ's front panel via system exclusive messages; see the version 2.0 update
documentation for details.

Yamaha KX76 and KX88 Master Keyboards
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
CAUTION:   KX76's  and  KX88's  can have problems when using the MIDI merge
feature  of  the  KCS.   If you patch a KX76 or 88 to receive data from the
KCS, and then send it on to the receiving synths, and the KX76 or 88 (or at
least  ours)  receives  too  much  MIDI data at one time, it will erase its
internal memory and go back to the state it was in when it was shipped from
the factory.  Beware of MIDI loops and length 0 sequences when using a KX76
of KX88 in this manner.

Yamaha RX11 and RX15 Drum Machines
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
The  RX11  features  several variations of the most essential drums.  There
are 8 snares, 3 kicks, 3 closed hats, 2 open hats, 2 cowbells, 2 claps, and
2  rimshots.   It  is  possible  to set the instrument select, note number,
volume,  pan,  and MIDI channel assignment for each drum from the KCS using
system  exclusive  messages;  the codes for doing this are contained in the
RX11 service manual.

One  problem  with  the  RX11  is  that it can not record when wynced to an
external  device,  either  through MIDI or the tape sync input; nor will it
send  a  MIDI clock or tape sync pulse while recording.  It also "hangs up"
and  refuses  to  accept  MIDI  information  for  about  two  seconds after
receiving  a  MIDI start command, if it is set to an empty pattern or song.
For  these  reasons,  it  is  best  to  ignore the RX11's pattern recording
features  and  use  it  strictly  as  a  drum  synthesizer,  with  the  KCS
controlling the drums via MIDI note commands.  In this case, set the RX11's
clock source to EXTERNAL.

The  RX15 is similar to the RX11, but has fewer features.  There are not as
many drums, fewer patterns and only two audio outputs.  Nor does it receive
the  system  exclusive  messages that the RX11 recognizes.  One problem the
RX15  has  when  syncing to MIDI clock is that occasionally, if it receives
too much data (such as note information intended for another instrument) it
will start to miss MIDI clocks.  This causes the drum machine to lose sync,
and  the  musician  to pull his hair out.  Try activating RUNNING STATUS on
the SET OPTIONS screen.

                          Appendix 1
                          ~~~~~~~~~~
                      SERVICE AND SUPPORT
                      ~~~~~~~~~~~~~~~~~~~
This program and the associated documentation are copyright (C) 1986, 1987,
and  1988  by  Emile  Tobenfeld.   This program is licensed to be used on a
single  machie,  by  the  original  purchaser  only.   It may not be copied
without explicit written permission.

The diskette on which the program is furnished is warranted for ninety (90)
days from the date of delivery.  The program is not guaranteed to meet your
requirements,  and  operation  of  the  program  is  not  guaranteed  to be
uninterrupted  or error free.  In no event will Emile Tobenfeld or Dr.  T's
Music  Software be liable for any damages, including any lost savings, lost
profits,  or  other  incidental or consequential damages arising out of the
use  or  inability to use this program, even if we have been advised of the
possibility  of damages.  Dr.  T's Music Software and Emile Tobenfeld shall
not  be  responsible  for any damages claimed by any other party, resulting
from  the use or attempted use of this program.  All warranties implied are
Dr.   T's,  not  your  local  dealer.   If  problems  arise,  call Dr.  T's
directly.

Copy Protection and Backups
~~~~~~~~~~~~~~~~~~~~~~~~~~~
The  disk  containing  the  KCS  is copy protected, and must be inserted in
drive A:  on the Atari ST, or any disk drive on the Amiga, when running the
program  from  either the hard or floppy disk.  We regret the necessity for
copy  protection,  but experience has shown this to be the only way to deal
with unauthorized distribution of our programs.  Software piracy is a crime
and deprives your fellow artists of their rightful income.  Because of this
problem,  we  are  much  more  fun  to  deal with if we have your completed
warranty card in our hands when you call for technical support.

Backup  disks  may be obtained from Dr.  T's for $15, when you send in your
warranty  registration  card.   You  must  include  either  your  completed
warranty  card  or  your  diskette  serial  number  and a copy of the sales
receipt.

When  calling  Dr.   T's for customer service, there are a number of things
that  you can do to help us help you, which can also save you money on your
long  distance  bill.   Here  is  a  check list of things to have ready when
calling Dr.  T's.

1. Your diskette regstration number
2. Your manual
3. Computer turned on and KCS booted
4. Any data related to the problem
5. Information on your computer's disk configuration, monitor type, printer
type, etc.
6. Paper and pencil

When  you  call  us,  we  will  walk  you  through  the program and ask you
questions  about  what  happens, so it is very important that you have this
material  at  hand when calling.  If you don't have this ready, we will ask
you  to  call  back  later  with  the  required  information.  After you've
completed  the  checklist, call us at (617) 244-1542 between 10 AM and 4 PM
Eastern Standard Time, Monday through Friday.

                           Appendix 2
                           ~~~~~~~~~~
                  COMMAND KEY REFERENCE LISTS
                  ~~~~~~~~~~~~~~~~~~~~~~~~~~~
The next few pages contain reference lists of the keyboard functions on the
Track,  Open,  and  Song  mode  play  and record screens, and the step time
record  screen.   You  may  make  copies of these pages and keep the copies
close at hand when using the KCS, if you like.


                 TRACK MODE PLAY/RECORD SCREEN
                 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
TRACK SELECT KEYS				
~~~~~~~~~~~~~~~~
1 - 9 			: Tracks 1 - 9    		
A - Z 			: Tracks 10 - 35	
Numeric 1 - 9 		: Tracks 36 - 44 			
Numeric ( 		: Track 45 			
Nvmeric ) 		: Track 46 				
Numeric ' 		: Track 47
Numeric / 		: Track 48 				
					 
CONTROL PANEL
~~~~~~~~~~~~~
F1			:EXIT
F2			:RECORD
F10/SPACE		:PLAY
ESC			:PAUSE
ENTER		:STOP
.			:TEMPO UP
,			:TEMPO DOWN
UNDO			:RE-RECORD
?			:ERASE TRK
:			:CONTROLLERS
'			:AFTERTOUCH
*			:NOTE OFF VEL
;			:MIDI MERGE
BACKSPACE		:ECHO
>			:ECHO CHAN UP
<			:ECHO CHAN DOWN
TAB			:CUE
CRSR UP		:START CUE UP
CRSR DOWN		:START CUE DOWN
CRSR RIGHT	:END CUE UP
CRSR LEFT		:END CUE DOWN

LIVE EDIT
~~~~~~~~~
RIGHT SHIFT	:DELETES NOTES
CONTROL		:RESTORE NOTES
ALTERNATE		:VEL = 127
LEFT SHIFT	:VEL = 64
ALT/L.SHIFT	:VEL = 16

AMIGA KEY SUBSTITUTIONS
~~~~~~~~~~~~~~~~~~~~~~~
Atari ST		Amiga
~~~~~~~~~~~~~~~~~~~~~
UNDO			:Right AMIGA key
INSERT		:Right ALT key
CLR HOME		:Shift-DEL
Numeric (		:Numeric -
Numeric )      :Shift-Numeric -
Numeric *		:Numeric .
Numeric /      :Shift-Numeric .

The four numeric key substitutions apply to the Amiga 1000 only.

TRACK OPTIONS
~~~~~~~~~~~~~
F3			:MUTE/UNMUTE
F4			:SET PUNCH
F5			:CLEAR PUNCH
F6			:ERASE PUNCH
F7			:COPY PUNCH
F8			:SOLO
F9			:SET SWITCH
F11			:SHIFT +1
F12            :SHIFT +3
F13            :SHIFT +12
F14            :SHIFT -1
F15            :SHIFT -3
F16            :SHIFT -12
F17            :EDIT SELECT
F18            :SWAP
F20            :NAME
CLR HOME       :ERASE
ALTERNATE      :MUTE ONLY
SHIFT          :UNMUTE ONLY

HIDDEN CONTROLS
~~~~~~~~~~~~~~~
DELETE		:ALIGN
RETURN         :TRACK SWITCH
\              :TRACK MERGE
|              :AUTO-RECORD
%              :VISIBLE METRONOME
$              :AUDIBLE METRONOME
!              :ALL TRACKS TO SEQ
^              :TEMPO CHG BY RATIO
&              :STEP DELAY
#              :MUTE ALL TRACKS
@              :UNMUTE ALL TRACKS
*              :EDIT/PUNCH BUTTONS
-              :SILENT PUNCH
/              :CUE LOOP
]              :CUE BACK 1 BAR
[              :CUE BACK 2 BARS
'              :CUE BACK 4 BARS
=              :CUE BACK 8 BARS
INSERT         :CUE MOVE AMOUNT
(              :TRACK LOOP
)              :FILTER
_              :FILTER CHAN DOWN
+              :FILTER CHAN UP
F19            :VELOCITY PEDAL
~              :PANIC BUTTON
0              :SET OPTIONS

            
	           SONG MODE PLAY SCREEN
                ~~~~~~~~~~~~~~~~~~~~~

SEGMENT KEYS				
~~~~~~~~~~~~~
1 - 9 			: Segments 1 - 9    		
A - Z 			: Segments 10 - 35	
Numeric 1 - 9 		: Segments 36 - 44 			
Numeric ( 		: Segment 45 			
Nvmeric ) 		: Segment 46 				
Numeric * 		: Segment 47
Numeric / 		: Segment 48 				
					 

SEGMENT OPTIONS
~~~~~~~~~~~~~~~~
F4			:PLAY IMMEDIATE
F5			:PLAY AFTER CURRENT
F6			:SET LOOP START
F7			:SET LOOP END

CHANNEL KEYS
~~~~~~~~~~~~
1 - 9 			: Channels 1 - 9    		
A - G 			: Channels 10 - 16	


CHANNEL OPTIONS
~~~~~~~~~~~~~~~
F3			:MUTE/UNMUTE
F8			:SOLO
F9			:SET SWITCH


HIDDEN CONTROLS
~~~~~~~~~~~~~~~
F1			:EXIT 
LEFT MOUSE     :EXIT        
F10/SPACE      :PLAY       
'              :TEMPO UP    
,              :TEMPO DOWN       
UNDO           :STOP             
RETURN         :CHANNEL SWITCH   
TAB            :CUE       
CRSR UP        :CUE POINT UP
CRSR DOWN      :CUE POINT DOWN
INSERT         :CUE MOVE AMOUNT
CRSR LEFT      :LAST SEGMENT     
CRSR RIGHT     :NEXT SEGMENT
F2             :LOOP CURRENT SEGMENT
\              :LOOP ON/OFF   
;              :MIDI MERGE     
BACKSPACE      :ECHO
>              :ECHO CHAN UP
<         	:ECHO CHAN DOWNT
0              :SET OPTIONS
~              :PANIC BUTTON

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   Imported by Midnight Maniac & Mayday of Trilogy